Writer In Residence Judith Pond
Events and Programs
Lit Lunch – February 13th | 11:30am-1:00pm
The Hero is Released: A Lit Lunch on Characterization
Often we try too hard, and end up mired in detail, without lifting our characters off the page. Literary critic James Wood calls this “the tyranny of necessary eloquence,” and suggests that by allowing ourselves to write closer to the plainness of mental speech, “the hero is released…; he is an ordinary man.” Or woman, or person.
It takes only a few well-placed strokes of color or bits of dialogue to bring a character to life. Let’s do lunch!
“Pond”tificate with Judith
Join Judith for group discussions on any topic related to writing.
RSVP to firstname.lastname@example.org
Feb. 10, 24, Mar. 9, 16, 23, 30, Apr. 6, 20, 27 | 12-1pm
Feb. 20, Apr. 16 | 6-7pm
Special Guest – Poetry Café
April 5th | 12:30-2:30pm
Poetry Cafe combines poetry prompts or exercises to generate poems with workshopping and discussion. It’s great for both emerging and established poets, and it’s open to poets of all ages. Join us to write with prompts from 12:30-1:45 and workshopping from 1:45-2:30. Great for both emerging and established poets and it’s open to poets of all ages.
Manuscript Consultations Now Available for Members
Writer in Residence Workshops
Point of View and Distinguishing Voices | Feb. 29, 2020 | 10-3:30pm
How do we write characters whose voices, rather than sounding like universal mouthpieces for the author, are unique to themselves, and separate from each other?
Students will be asked to bring samples of their own writing for peer critique, and to examine writing provided by the WIR, in order to discern how accomplished writers create distinct voices. Exercises in writing characters with distinct POVs will form part of this workshop. REGISTER
More Bang For Your Buck: How Form and Content Can Work Together in Fiction and Poetry | March 21, 2020 | 10-3:30pm
A writer should hold the reins with authority, but with enough ease to let the writing offer surprise. Paradoxically, writing that sings is intentional on many levels. One form of intention in writing is the craft of allowing the content of narrative to dictate its form. Concrete poetry could be said to be an example of form emulating content. This workshop will give participants the opportunity to study examples of both prose and poetry in which form evolves from content, and to create a short piece of such writing to read aloud.
This workshop will also give instruction on public reading. REGISTER
Foregrounding Language In Fiction and Poetry | April 18, 2020 | 10-3:30pm
Similar to form that emulates content, language used with intention enhances a reader’s pleasure in a text. The difference between the two techniques is that foregrounding language is more subliminal—less visual—than form emulating content. It requires an intense listening on the part of the writer, similar to the acoustic attention demanded by poetry. A long apprenticeship to poetry has heightened my own attention to language, and informs my prose line by line. I consciously—and unconsciously—build subtle subliminal assonances, agreements, and acoustic balancings into my own prose. This workshop encourages participants to hear words, both for themselves, and for how, when placed judiciously, words enhance and layer the coloring of prose lines, for emotional and poetic effect. REGISTER
BUNDLE & SAVE – When you register for all three WIR Workshops, save 10%. Use COUPON CODE – WIR2020 at checkout.