As we are about halfway through a month dedicated to writing novels, I thought this would be a fine time to talk about short stories. My inability to chase trends aside, what prompts today’s topic is the latest winner of the Scotiabank Giller Prize, Souvankham Thammavongsa for her short story collection How to Pronounce Knife. Thammavongsa’s win marks the fifth time a short story collection has won the top prize for Canadian fiction in its twenty-six years of existence. Accounting for the split winners in 2000, 18% of the winners are short story collections. Compare this to the Man Booker prize, which has expanded its eligibility to any longform fiction written in English and published in the UK. This prize has never been awarded to a short story collection. There was one short story collection added to the shortlist in 1980: written by Canada’s Alice Munro. I mention this to illustrate a few points. First, in the upper tiers of the literary world, the novel is put on a higher pedestal than the short story collection. Second, it might be said that Canada recognizes short stories compared to the wider literary world.

What is a short story?

Let’s start with what it isn’t. A miniature novel. A condensed novel. Part of a larger work. A short story has as much relation to a novel as a poem does. I stress this because there are many who dismiss the short story as a lesser novel, lacking character development and gripping plot twists. (Read More…)