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1. I looked for The Truth in every face dug into eye sockets and soft flesh to Know Things and Be A Good Person and Fall In Love until the world was horrific and still incomprehensible and my fingers and the faces fell apart 2. Some days I'm wise to unquantifiable edges trace a plane of someone else fiingers through hair I hold my peace when nothing catches my own heartbeat quiets when I stop watching strangers breathe 3. The world rockets past and I stand with aching mind but the muffled blurriness… with broken hands I resign myself to eyes-half-open wisdom true and beautiful and thuddingly indistinct etc. The tapestry of the universe is our minute and unceasing choices the ways I am like you like us About Sammy Brigden
Sammy Brigden is a young poet. They enjoy alternately marveling at/reckoning with the vastness of the world, and doing whatever it is teenagers do in their free time.
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The chaos of the world will never cease beating at our sanity through the nights and days. Within ourselves is where we look for peace to face the scorn, the not-good-enoughs, the hate piled onto us for rainbows and cultures and races-- the chaos of the world will never cease to amaze me, even though I come late to this land. We’re starting over, finding the way within ourselves. It’s where we look for peace in the midst of difference, find a fate better than the death of our voices, when we pray away the chaos of the world that will never cease, but we can cease to invoke chaos. Set straight the haters, the naysayers, and tell them, maybe today, within ourselves is where we look for peace instead of broken pieces, om mani padme hum the irate into Zen, my shouts into smiles, your nays into yays. The chaos of the world will never cease, but within ourselves is where we can finally look for peace. About Alison McBain
Alison McBain runs a poetry group for AWCS on the third Wednesday night of the month (Poets' Roundtable). When not writing, she draws all over the walls of her house with the enthusiastic help of her kids. I was there when it was just you and me in a small apartment. I had six beautiful kittens there. I was there when you married. I was there when your first baby was born. I was there when that baby started talking. Her first word was my name. I was there when you moved to a new city. I was there when your next baby was born. She loved me, too. I was there when your little ones started school. I was there for chicken pox. I was there for piano practice. I was there for birthdays. I was there when those kids became teenagers. I was there when you brought another cat into my home. What were you thinking? I'm slower now, especially on stairs. I'm stiffer when I walk. I don’t like to be carried. I'm 20 years old now. You say I’m elegant and wise. I am checked on and talked to throughout the day. You bring my food and water dishes beside my basket. My time is coming. I feel your sadness. I feel your love. You were with me when I had my kittens. You were with me when I passed away. I was cremated. I was placed in a little carved box with my name. You talk about me and you will remember me always. What an honour, to be the first of many. About Barbara J. Rodrigues
I am a retired mental health therapist who loves reading, writing, live theatre and travelling the world. Cats have always been a very important part of my life. It is another world. The snow lying along the golden brown branch of the cherry tree. Luxuriates, stretches like Pippen upon the woven red, purple, green throw on the distressed leather couch. Warm colors lure us like fire in the pizza oven. She casually tosses split firewood into the Brick Oven, making coals, cooking pizza layered with cheese, tomato, sausage. A human circle of pizza dough lopsided and laden heavy with hot bubbling flavors baked into each other joined by heat, delivered by a guy in biker clothes and dark glasses to tiny tables, crowded bums almost knocking stuff off. Santa comes with a small plate of foil wrapped chocolate, panna cotta, moist and soft in the mouth with our $4 half pint lattes He comes twice a week texts a photo of the lasagna to his Nona. The old guys crowd around the tables talking like they own the place. The girl with a wine red ponytail squeezes her tight jeans between the tables, the black haired Pizza Priestess presides in Italian mystery over the mouth of the oven delivering and receiving. I have walked onto a set, a play or sitcom. Italians, South Asians, Africans, olives, flowers, sourdough bread, baguettes, vinegars, coffees. Pasta fresh on Friday afternoons, coiled in nests one nest per person, with homemade pasta sauce special because of the sugar and fennel seeds. To Marco, whose office is the table by the window, I say, you should know I bring all my friends here. To me whose spot looks directly into the fire, he says, you should know I love you. About Sarah Arthurs
Hello, I am a mother, an earthling and an advocate for joy. This poem happened at my favourite "Third Space ", The Italian Supermaket. Enjoy! My body was brimming with a sanctified light — like a fluid overflowing from the basins of my skin. The organic vessel which tried to contain me was now turning inward, and as a consequence, a collision had occurred between the flesh and the soul. The somatic torrents brought my consciousness to its knees; it pleaded helplessly, then in brief and sudden minutes washed away into a thousand seas. There was no longer any distinguishing movement which I could sense with any ounce of clarity. The human form ceased to coexist with this new posthuman id. There was no description beyond one word, "amalgamation," which could define my predicament. An amalgamation of ecstasy and architectural vanity, that is. The cornucopia of techno and MDMA was felt with immense proclivity. It was this fission of currents which pushed me beyond my human limits — becoming what no one else could conquer, namely posthumanity. However, a suddenness struck me in those moments of bliss; a tension was present between the serenity and the momentum of our spectacle’s trance. It was out of this daze from which I glanced towards my communal associates. The herd all stood bowing in reverence, in deception, and in coordination. We were all just simple automatons. And so it was made clear: the libido always directs the masses towards praise. Libido in modernity is no different than the libido of antiquity; the only freshness was its use of emptiness to scorch the world with electronica & dance. Such a dancing ritual, with a pagan nature, allowed the voice of one to free itself. For the night was now juxtaposed against the honest purity of the day. This was the sight I identified as Dionysus’ only remaining relic. The moral truth I found was that of celebration, Eros, and a pleasant indifference towards that which was good and evil. I had felt Dionysus mix my ego against the vacuum of insanity, watching the one overcome the many. It was this maximizing effort to reduce every multiplicity to a mere excess which allowed my soul to breathe; it was a felt pleasantry of reverberations against the moral tables of our day. And thus, in the wake of shattering those falsified idols, new truths were birthed in sonic light. It was as if the astronomical twilight ached through our dances. This was a release that no ascetic could reach; only us hedonists could taste it for the briefest of moments. And in order to indulge the moment, we drank Rumi’s wine, bringing a new God to our eyes! This new god was beyond man, for no man could see what I saw that night. I saw a posthumanist vitality that only the drugs could reach — partitioning away my ego, I met all I had wished to be. Yet, after the jungle rave had ended, there was no residue left to salvage. I had lost my profundity, and so I was forced to realize, when I awoke the following morning, the stupor clouding my mind would disappear. I began to understand that only in brief, fleeting seconds does the nihilist savor his time. About William Black
William Black is a Calgary-based technologist and writer. His essays and poetry investigates the tension and convergence between philosophy, literature, and modern social theory. There is a sudden shift, like a tear in the universe. Something unsettling, the fabric has been torn, ripped in half. Good versus evil. Throughout time, there have always been winners and losers. Don't the victors write the stories. There is a heaviness, like darkness has come. Light has faded It's a paradigm shift, upending the values we hold dear. Dreams deferred. Blood has been spilled in the name of political jargon. Spilled onto the streets, overflowing fountain like Caesar's dream. Brutus silencing his friend in the name of glory. Hate is a disease. We must not fight hate with hate- although the desire is strong. Humans are not perfect. We cry, fight back, scream into the void. Who will hear our cry for freedom? Who will hear our heart beating, the love emanating, vibrating sounds of helplessness? We want things to be easy, for others to give us the answer. But life is a mystery, and we don't know all the answers to fight it. We just know that we can't sustain the energy to hate each other. How exhausting is the struggle for peace. We try to reach for a Solution. It has always been within us to change. To shift our mind to something more desirable. To something greater than ourselves. We can love each other, love an enemy, love instead of Hate. Love will always overshadow hate. It's stronger within us. We just have to Believe. About Nadine Dunseith
Nadine Dunseith is a teacher and writer from Calgary. She enjoys Shakespeare, words, and etymology. She has a weekly poetry feature on social media called Mental Wellness Monday on the Indie YYC. Hardwired for it we know yellowed leaves fall dying eyes close books burn to ash fireworks explode but hope antennaes another leaf anticipates one more day fingers the next page beholds the wings of a bird. Previously published in Happiness Reflected (2023) and Poetry Pause (2025). About Katherine Koller
Books by Katherine Koller are Voices of the Land (plays), Art Lessons (novel), Winning Chance (stories), a High Plains Book Award winner, and a new collection, Earthen: Stories. Her latest play is Persuasion, an adaptation of the novel by Jane Austen. www.katherinekoller.ca |
SUBMIT YOUR POEMSEvery day in April, we will feature a poem from a writer in our community. This is an open call — all voices, forms, and styles welcome. If you have an original poem you'd like to submit, we'd love to read it. Submit your poem! Archives
April 2026
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